You know how there’s a running joke among tumblr Shakespeare fans that the reason there are so many characters called Antonio is because Shakespeare had an actor boyfriend named Antonio who kept forgetting which lines were his?
You how how in Good Omens, we have a character with the chosen first name Anthony? Which is a more anglicized version of Antonio?
Coincidence? I think not.
Manny are you trying to tell me that Crowley was Shakespeare’s ditzy boyfriend?
Yes
I 100% approve of this
… do they have a ship name?
Shakesley
snakespeare? ???
you know what? you’re so right.
#there’s no Shakespeare in Aziraphale’s shop (via mickmercury)
Yeah, Aziraphale is also super extra about it and refuses to let any Shakespearean quotations and turns of phrase enter his speech.
But also, he gets into fights with anti-stratfordians.
He refuses to say fashionable for at least 500 years. Despite being so perfect to describe some other humans.
He actually refuse (completely conscious) to say other Shakespeare invented words.
Friendly reminder to all working artists or (especially) aspiring artists.
If a client says they can’t afford to pay you but you’ll get good exposure, one of two things is happening:
1. They are lying. They can afford to pay you, but they are choosing not to. They will pay the printer to print the books, they will pay the mail service to deliver them, and you’d better believe they’re going to pay themselves for sending you an email explaining that they can’t afford to pay you. They think you are a sucker, and if you take the job you’ll be telling them they are right.
2. They are not lying. They have zero budget, no audience and no real distribution system. They’ll still be paying the printer and mail service because people who work in those professions don’t work for free just because someone promises them a recommendation. But they aren’t paying themselves, they’re running on an incredibly small margin, and there’s a good chance they won’t exist as a corporate entity in a few years. Publishing your work with them will give you less exposure than putting it on tumblr or Instagram for free would. It will never lead to a paying job.
If a client starts ranting about the “short-sightedness” of artists, or otherwise complains about artists in general in their opening offer to you, run. Run as fast as you would run if a blind date spent the whole of dinner ranting about how horrible your entire gender is. Yes, there are doubtlessly clients who’ve been screwed over by artists in the past, but the ones who complain about artists in general will not respect you, they will not treat you well.
Working for free does not prove that you are passionate about something. It proves that you do not need to be paid for your work. How many doctors went into medicine because they are passionate about saving lives? Do you think any of them are asked to perform heart surgery for free?
No one will ever pay $50 for something if they can get something similar for $5. When you charge next to nothing for art that you’ve worked for hours on, art that required years of training to create, you are telling your client that it is worth next to nothing. They will remember that the next time they want to hire an artist.
People who are looking to exploit artists know that artists are hard on themselves. They know that most artists don’t think their work is good enough to charge top dollar. They know that artists have been told from the first day they started taking their art seriously as a career that they’ll never make any money off it, that it’s not a real job, that it has no value to society. They know how to push artists’ insecurities about their profession in order to convince them that that demanding fair compensation is unrealistic and uncooperative.
If you’re just desperate for a job in the arts, any job in the arts, give yourself a job. Start a webcomic, or give yourself illustration assignments that you post on social media regularly, create work for a gallery show even if you don’t have one yet, or make a book. Give yourself a job. If you’re going to work for free, you may as well be working for yourself, setting your own hours and following your own interests. Having original art with original characters and ideas in your portfolio, and making sure your art is visible online will get the attention of publishers who are actually looking to hire people for good jobs. Drawing a shitty comic for a defunct publisher based on someone else’s shitty ideas will not.
Protect yourself, because no one else will. Protect yourself, because no one else will. There are people lining up around the block to exploit you. Protect yourself because no one else will.
is just too big a stretch for my suspension of disbelief. Magic, unicorns, childhood trauma manifesting as a physical representation of destruction- that’s all cool.
But don’t try to make me believe that Jude Dumbledore Law wanted to grind on Coleslaw Head up there.
You have no idea how many people lurk on your work. No idea how many times people go back to revisit your work. How big they smile when they simply think about your work. How fast their heart beats, how excited they get when they see that you posted something.
People are shy with their feedback. Sometimes it’s because they’re simply shy. Other times it’s because they assume you already know how great and talented you are. Could be both.
My point is, even if you barely have any likes or reblogs, don’t get discouraged. You have a lot of silent fans, but they are still your fans. Keep on creating. Because there is always someone out there who will love what you have made.
so many characters are just dicks for absolutely no reason and i would. simply have to punch them. the way people treat each other in like every single sitcom makes me so angry and i would be on full punch mode all the time and go to comedy jail
I need you to know that I would emphatically and without question pay real human dollars to watch a season of ‘Friends’ where you appear to routinely beat the shit out of Ross Geller
Rook's Writing 